Tuesday, August 30, 2011

Thank you Tonner!!!

This is perhaps one of the greatest things that happened to me and this blog! Thank you very much Tonner! One wakes up from the reverie to only see that the reverie is real. I post this to thank all of you who have encouraged me with this. The blog started as a mere receptacle of the imaginings that come out of my little corner at home where these little photo and repainting sessions happen.
Sharing with you all the link:
http://tonnerdoll.com/blog/it-fashion-dolls/meet-tonner-collector-boots-profile-pic-week

Saturday, August 27, 2011

Tonner Melanie: Makeover: Portrait inspired by old paintings (from archives)



Wednesday, August 24, 2011

Tonner Portrait: Don't Look Back (retouched)




Monday, August 22, 2011

Guess who dropped by for breakfast?

I tried repainting my Business Mill Scarlett and was so frustrated by it, I decided to redo and do something else. I always thought she would have the sculpt for it -- save for the nose. Her hair hasn't been styled yet. So, if anyone knows one who can, let me know haha. Here she is taking a peek.

Addendum: Now, I know where I go the idea from -- Dave of missgenemarshallandfriends! He posted an Integrity Breakfast at Tiffany's doll line. While I also have the Mattel Audrey Hepburn -- which is a fabulous doll, I always wished for one with articulation. And since the Scarlett doll of Tonner seems to have the almond eyes for it -- why not? Thanks Dave for the idea!

Saturday, August 20, 2011

My Scarlett Reverie: My first video of the Scarlett Reverie Portraits

Before you click on the video arrow, please do read this first: I've been toying with iMovie and decided to practice on who else but...Sorry for the cheesy choice of song. I wanted Itzhak Perlman's Gone with the Wind but was wary of copyright issues. This song has been used extensively in youtube. This is a compilation of Scarletts -- selected from my personal favorite photos. Some of these dolls have been re-repainted as time passed, learning new things about repainting (hit and misses still). Why did I choose the song? Because she may not be perfect in the industry of repainting, but she's beautiful in my eyes. And the beauty of it -- for me -- is not so much the doll, but this entire journey of creating and re-creating. It's about what you personally do and pursuing it till it gives birth to something you never intended to have in the first place. It's almost meditative having this little hobby. You come home at the end of the day and you just enjoy it while the rest of the world goes on, yours stops and for a moment you're just there in an imaginary place where the possibilities of play are immense. People tell me, "Oh get a life." I answer always: "to each his own". So, here she is now. Scarlett Reverie Proudly Presents "My Scarlett Reverie". Enjoy the show. You may click now. Thank you!

Friday, August 19, 2011

Tonner Carol Barrie: Draping Portrait Study

This is the "knit jersey" material that drapes beautifully. It seems to have weight and yet is very light.
 I always like things that are in scale when it comes to 16" figures. 
Another interpretation of the portrait with less changes on the background retaining somehow the blue color.
I also retouched the repaint here by painting more blue on the eyes and outlining it more with a better brush with the color black.
I also blushed the nose line and the eyelids. Lips has also been retouched with a deeper red on top.
My greatest wish for the regular Tonner line are more expressive hands similar to the Tonner Antoinette.
Victorian paintings always had their hands with gestures that were soft and expressive.
The Tonner Carol Barrie eyes are so small -- smaller than the Tyler or Tonner Scarlett eyes (which I think could have been better if slanted).
Tonner Carol Barrie eyes are downcast. The wig here has been cut and styled.
It is secured at the back with a ribbon which is an original from the Tonner "Sensible Notion" outfit.

Thursday, August 18, 2011

The Mysterious Woman at the Lyme: Tonner Carol Barrie

The magic of draping of cloth allows the doll to be more real in portraits. Here (I didn't mention this in the previous post where another doll
wears the same hood), the doll wears what the fabric store calls "knit jersey" -- it's almost like lycra without much of the lycra sheen.
I cut it following a hood pattern online and with a string turned it into a cape with hood. The colors of these are rich but I chose
a dark grey color. The doll here wears the Tonner Mrs. Hamilton black dress. Hair has been styled and minimal repainting was done to give
the doll a soft Victorian look. 

You can notice the draping here that flows and falls beautifully and in scale with the doll's dress. The light also reflects well on the material. 
Frame graphics from http://www.gfxmania.net/

Tuesday, August 16, 2011

My Scarlett Reverie

My first attempt at Scarlett with tips on how it was achieved. I really wanted to share  it with everyone.
And years later, the Scarlett commissioned repaint done on an FM Scarlett 
This is in reply to Gloria and Belladonna. Gloria wanted to know why my focus was on Scarlett 'O Hara, Belladonna commented on the portraits and there was a point about photoshop-ing the portraits.

The Scarlett Reverie -- or this blog's focus on Gone with the Wind's Scarlett really found its seeds during my high school years -- raw and shy, raised in propriety and trained to honorably give way to others than having ones way out in the world. The book was one among the many reads my elder sister kept. A bookworm till today, she would always be ahead of the pack when it came to the next big thing in reads in our household (today actually, she still informs me of this or that book and it ends up in a critic's must-reads or in the NY Bestsellers.  I initially thought it was some Western story, judging from men on horseback on the cover (that goes to show how unaware I was of history nor of geography of what was South, North nor what falls under a Western). I was only aware of Western's from my grandfather's love of John Wayne and his novels of Zane Grey.

Gone with the Wind's writing for me was the kind of narrative that kept you hanging on. The spirit of Scarlett was there. Margaret Mitchell, like her Scarlett knew how to get ones attention and keep you focused there. Her Scarlett was never presented as beautiful but did create the impression that she was with her charming character. Similarly, GWTW has been critiqued to be no grand work of literature during its time of birth, but still caught the adulation of the world like wildfire!

It was perhaps a turning point in my life -- and allow me to become a little personal here -- that my somehow cloistered awareness of  life and the world would change. The passing on of my father at 44. The re-marrying of my mother barely a year after his death and the sudden changes in our lifestyle from pampered son to independent soul.  In that, I somehow found myself liking GWTW's truths. It was right when Scarlett "was never the same girl again", was right when she said "that girl doesn't exist anymore", because dark times call for one to create ones' own light. The young man of 13 learned how to fend for himself. I would work at a Printing Press of my friend doing layouts at night, sleep on a bunk waiting for the first releases, go home, bathe, change clothes, then head back to College again where I was studying scriptwriting and Communication Arts. Scarlett's mold of speaking her mind did rub off on me too. I learned how to speak my mind, and somehow try to inflect words with funny sarcasm. Something I learned to curb later on as the years passed on. GWTW provided me with the fuel to bow down or to stand straight against those changing times and in the middle of all that was the iconic Scarlett 'O Hara from the Robillards of Savannah, with the Irish blood of the Scarletts that rose against their oppressors.

A doll could never be a man's best friend -- some people think. And this is perhaps one reason why in my country, people find it strange when a man says: My hobby? I...er...collect dolls. But thanks to the internet which makes us all aware of greater things that evolve and open-mindedness, we are now aware that times have changed. We see men collecting action figures, collecting dolls, repainting dolls, dressing up dolls, photographing dolls. Back then, I kept doll playing to myself. But with GWTW it was an all out expression of what I loved most -- the book, the character and now a doll. It is not surprising that Barbie as "Scarlett 'O Hara" captured my attention. I started photographing those early Scarlett dolls when I was working, saving up for every release that came out. And while I was enthralled by these first dolls, I wanted only more. I wanted "accuracy". If the book's charm is Mitchell's Scarlett, the movie Gone with the Wind lives because of one and only one person in my opinion -- Vivien Leigh. She was the grand miracle that turned Selznick's dream into a reality. She immortalized Scarlett 'O Hara for all of us. Unparalleled and unmatchable. To this day no actress could live up to her beauty, talent and indomitable spirit. So why should they not make a GWTW doll made after her? Enter Mattel's Timeless Treasures Vivien Leigh as Scarlett and Rhett. By far the best sculpts of the actress and the actor (my opinion).  I still keep these two in their glass case in my room  -- the only ones that I have in constant display.




What is a doll without articulation? Having played with a 6 million dollar man -- and a Bionic Woman (belonging to my sister LOL), I knew, realized and enjoyed the magic of a doll with articulation. I did see the Franklin Mint porcelain Scarlett in her barbeque ensemble when I was younger (I actually remember staring at it the entire afternoon telling myself: "What happiness to have this before me!") I then acquired FM's Scarlett Vinyl doll whose face paint captures the beauty of Vivien Leigh too: the slanted eyes, the pout in half smile, the porcelain like skin. And while I was not much a subscriber of wigged dolls -- more so because the FM Scarlett showed more of the temples -- I still found this period a fun new time that unravelled more of my passion to make a Scarlett come to life. At a much bigger scale than Mattel's Scarlett, there were more areas for imagination to come true: the draping of the clothes, the way the hair would fall and possibilities of arranging it (however coarse the FM Scarlett's hair was and still is).  I also began photographing the FM Scarlett after noticing the how well light landed on that well-sculpted face. And thus began the Scarlett portraits which is found in the Yahoo Group for Franklin Mint's Scarlett.
My first vision of the Franklin Mint Scarlett was its porcelain doll. I would stare at this picture the entire afternoon, scrutinizing details and wondering how much happiness could be derived if I had this doll before me. 

Some of the earlier and first portraits of a Franklin Mint Scarlett. My only light here was one lamp with yellow light.
My camera? A cellphone 3.5 megapixel camera
Repainting came by accident too. I still remember when Tonner released their first Scarlett. I still remember a lot of Scarlett doll reactions to it too. The new Tonner Scarlett did not capture the Vivien Leigh look that Mattel and Franklin Mint so well executed. This was a let down for all of us, mostly me BUT it was endowed with one thing that the other Scarletts didn't have -- articulation. When Noel Cruz released his repaint of Scarlett I had hope. It could be repainted and my only, only goal was to put the FM face on a Tonner Scarlett doll. Thus began too my correspondence with Noel about repainting. He was my mentor, generously sending me the tools and the lesson that brought about my pursuit of repainting.  When one is encouraged by this "grand master" (as I call him and which embarrasses him always modest spirit that he is),  it  becomes fuel for one to do more and do better. Isabelle of Isabelle repaints likewise encouraged me as well as members of the yahoo group for Scarlett: Eric Caron who scanned material and material of how to repaint and style dolls, Nikki, Fran, Alana, Ellen, Axelle, Arlene, Paul, the talented and kind Dave of Daveland.com and missgenemarshallandfriends.blogspot.com. I've actually found great friends in this Scarlett Reverie. It is by far the warmest, kindest forum/group I have ever joined!
Noel Cruz's first Scarlett. The unparalleled one. 
My first Scarlett repaint. My first attempt at trying to put a  more Scarlett face on a Tonner Scarlett; 
My crude attempts at photoshop at that time. Working with just one layer. The fun of  articulation feeds the possiblities of imagination.

My first OOAK dress by Alana Bennett -- Scarlett wears a Jezebel gown. 
One of my old favorites. Crude repainting. Poor camera and photoshopped background. This was taken under a yellow light lamp. 
My desire to have a better face paint for both Rhett and Scarlett. I would photoshop their features just to create that look. 
A heavily repainted Scarlett (she's been repainted again with newly learned techniques)
My attempt at matching the drama of that iconic red gown.
Do I photoshop them? Yes I do for portrait purposes and because I lack the tools as a good zoom lens camera, a light meter, bouncers, reflectors. I love making portraits of dolls -- they immortalize the doll. I've always said this. Long after time has ravaged the dresses and vinyl of these dolls, the portraits live on -- just like Vivien Leigh being immortalized on film. And it also allows imagination to play.
There was a time when I photoshopped extensively, especially when the repaint was crude and when I still had little knowledge of techniques in repainting. Nowadays, making a portait is easier, less of the fixes and more fixes on the background.  Do I accept commissions? Yes I do, if I have the time. But one would have to be patient as I live in the Southeast. Something that I find an impediment to accessing more dolls to repaint and practice on. It's hard to believe I'm good at it because there are still some things I know I need to learn. Will I pursue it? I don't know. Perhaps until Tonner releases its last Scarlett. But does the dream end with that? Perhaps not.

That completes my story of the Scarlett Reverie, in lieu of a profile. I hope you enjoy this little blog -- for as long as it lasts.  From the first Scarlett to the Scarlett I have today. The journey was worthwhile taking. The reverie worth dreaming.

Sans photoshop

Lastly, thank you to Belladonna and to Gloria for inspiring me to provide this post. Pardon the length. I always get carried away when it comes to Scarlett 'O Hara.

Tonner "In the Mist": Mrs. Butler poses part II




Friday, August 5, 2011